FEATURE

Shot in black and white with color flashes of memory and dreams, The White Boar centers on Alberto Gimignani as The Duke, a time obsessed con man of fallen Italian nobility who finds himself wake-dreaming in cities haunted by visions of deep forests and his old lover R. R painted his portrait and released something dark within him: The White Boar, a symbol of his noble family. Rome and NYC flash by with both frenetic madness and isolating dystopia as the Duke, alone and lost in his madness, traverses an urban landscape obsessively seeking his own reflection for clues.